[Konvas] another lens question

[H. W. Stone]

 Ah, but did you do it for NTSC or for 1920x1080/30p ISC-HD-2 for international distribution?

If you chop it all down to NTSC and then transfer to 1920/60i or 1280/30p you get a "lower quality" but uniform product-- but the standards for ISC-HD-2 mean that you can see the difference in the next generation of masters, and the transfer to Blu-Ray is problematic.

Unless you're a manufacturer or equipment junkie you aren't going to be prepared for the Jan 2010 and June 2010 updates.? Heck, they even decided it should be wide then tall, not tall then wide, and that a 30p master was the only way to make a good stepdown to 60i and 30p and a dozen leftover methods and systems.

Chortle.

Buy stock in Rolaids-- they are going to sell to local stations--? in case lots.




 

-----Original Message-----
From: FauxFilm at aol.com
To: cinema at konvas.org
Sent: Thu, 4 Dec 2008 9:33 pm
Subject: Re: [Konvas] another lens question














>>The weak link is the way you see it, and the signal and monitor may 
be an ouch factor.


?


Exactly.? That's why I?was able to intercut digital and film with 
success... because I know I am never going to be the weak link in the "viewing 
chain."?? With very very VERY rare exceptions, our monitors are going 
to be vastly superior to the sets people at home are viewing our productions 
on.? And the cable system or broadcast signal is?never going to be 
able to hold?a candle to the direct HD-SDI monitoring that we go by in the 
edit suites.? Ergo, if?I am able to intercut the footage and not be 
able to see the difference in studio, my mom watching on her TV at home 
certainly isn't.


?


As I said, I might not do it for a feature film, but have done it for TV 
with no trouble.


?


T2


?


________________________________________________


Todd Terry


Creative Director


Fantastic Plastic Entertainment, Inc.


http://fantasticplastic.com


?


?


?






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