[Konvas] Cameflex CM3 2-perf worth some money?

Sat Nov 28 02:28:54 CST 2009

Ahh, I re-read his post. He asked IS it sync and i misread it as WHAT is sync, stupid me. Anyway I answered BOTH questions. ;D I'll try and....let us say, surpass Mr. Boddington's effort as far as storyline goes ALTHOUGH I must say Richie's concept WAS original and the camera work was good. He also had a couple of babes in there which never hurts. We've got 2 picture investment memorandiums out there circulating so Let's see if eather one hits. If NOT, I save my pennies and go guerrilla with a 20K pic. shot at 5 to 1 with shortends, unknowns, friends and family and anything we happen to have handy!!  Сделать кино сейчас! Товарищ кинематографистов Да здравствует независимый фильм !!!
> Date: Fri, 27 Nov 2009 23:19:45 -0800
> From: taylorcobmw at yahoo.com
> To: cinema at konvas.org
> Subject: Re: [Konvas] Cameflex CM3 2-perf worth some money?
> 
> Steve! Man, you are on fire! 
> You won't have any trouble getting through your production with your kind of energy. Do the Boddington thing so we can all say we knew you before you were famous.
> I have to comment about Xax and his Eclair questions-- I believe he is fairly young (unlike some of the old goats on this forum) and may not be familiar with the details of an old and obscure tank like the CM3. That said, he seems to be a busy, talented and experienced DP with an impressive resume. Take a look at his site. I'm sure he knows what sync is.
> Bruce Taylorwww.indi35.com
> 
> 
> --- On Fri, 11/27/09, steve beverly <capt.video at hotmail.com> wrote:
> 
> From: steve beverly <capt.video at hotmail.com>
> Subject: Re: [Konvas] Cameflex CM3 2-perf worth some money?
> To: cinema at konvas.org
> Date: Friday, November 27, 2009, 10:47 PM
> 
> 
> Yes but be aware it is an MOS camera and you didn't mention if it has a sync motor so it's probably not, which means clean sound will be a bitch. "Course Rodriguez shot El Marichi on a 16mm that probably wasn't half as nice as a Cameflex so yes you could shoot a feature with it, but be prepared fpr some headaches. FORTUNATELY modern software technology has a myriad of solutions. There is Sound Forge filters that can take out the camera sound and VocALign that can sync non-sync footage. I should tell you to look up the term because because you really need to start educating your self in all aspects of film making if you want to ake this your profession and no one is gonna do that for you but i'll give ya this one, Sync means the film and sound aquistion run at perfectly constant speeds so the sound and image match up in perfect synchonization or the words match the lips the boom matches the flash the clop matches the footstep.
> 
> > Date: Sat, 28 Nov 2009 04:51:07 +0100
> > From: xax at stilfabrik.at
> > To: cinema at konvas.org
> > Subject: [Konvas] Cameflex CM3 2-perf worth some money?
> > 
> > Hey,
> > 
> > I've seen a Cameflex CM3 in 2-perf configuration listed for sale and
> > am thinking about buying it. It has a PL hardmount installed.
> > 
> > Would it be usable to shoot a feature with?
> > 
> > Will it be "easier" to use than something like a Konvas 2M or Kinor 35H?
> > 
> > Anyone got some experience with the camera? Is it sync?
> > 
> > cheers, Xax
> > 
> > -- 
> > XiaoSu "Xax" Han
> > http://www.stilfabrik.at - cinematography
> > http://www.stilfabrik.cn - photography
> > 
> > Your donations will keep Konvas.org running:
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> _______________________________________________
> Cinema mailing list
> Cinema at konvas.org
> http://konvas.org - All about Konvas, Kinor and other Russian Cinema Cameras
> 
> Visit the discussion archives:
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> 
> Join the Konvas Discussion List:
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