[Konvas] 5 different HDSLR specs

[colcam at aim.com]

 And that's the reason that smooth fast motion and smooth slow cross frame motion require totally different methods of transfrer to a 24 frame film base.

It's easier and a single system to up 24 to 30 and subdivide if you need interlace, but the "un named" guys who have been fighting with video to film are looking for some new video standard that straightens things out, particularly when fields and frames may or may not wind up being the same things.




 


 

-----Original Message-----
From: Peter Haas <peterhaas at cruzio.com>
To: Konvas Discussion List <cinema at konvas.org>
Sent: Fri, Sep 11, 2009 3:47 pm
Subject: Re: [Konvas] 5 different HDSLR specs










On Sep 11, 2009, at 11:18 AM, Adam Frey wrote:?
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>> but 30 and 24 are accomplished by drop-framing.?

>?

> Although it is quite believable, since so many other cameras do > this, I haven't read anywhere to confirm or deny drop-framing in > the Canon. I'll keep an eye out for it though.?

>?

> As far as 30p v 24p: I think 30p recording is quite acceptable for > most applications, but if you need to have the option of 24p (even > if you'll rarely use it), there are plenty of ways to easily > convert 30p->24p. Given, it may take a little extra time in post > (depending on how much you've recorded, maybe an evening of > rendering with software), but it's not a show stopper, and, > depending on the quality of the conversion hardware/software the > results will virtually look the same.?
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I misspoke.?
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24 is obtained by FIELD dropping, from the 30 source.?
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I worked out the details a while back, and it seemed to me that the native mode was always 30, while the derived mode could be 24, at the user's option.?
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