[Konvas] foton zoom ....

[Steve Zimmerman]

I'd love to get one of these Foton Zooms with the anamorphic converter in the future.

Steve

--- On Tue, 1/12/10, olivier auverlau <firefly at uio.satnet.net> wrote:

> From: olivier auverlau <firefly at uio.satnet.net>
> Subject: [Konvas] foton zoom ....
> To: "Konvas Discussion List" <cinema at konvas.org>
> Date: Tuesday, January 12, 2010, 8:32 PM
> ebay
> http://cgi.ebay.com:80/ws/eBayISAPI.dll?ViewItem&item=300386005791&ssPageName=ADME:B:SS:US:1123
> 
> any comment ?
> look cheap ! with PL mount ...
> 
> 
> 
> 
> 
> 
> ----- Original Message ----- From: "Mike_Wilkins" <mikewi at mac.com>
> To: "Konvas Discussion List" <cinema at konvas.org>
> Sent: Tuesday, January 12, 2010 5:56 PM
> Subject: Re: [Konvas] Nobody cares about this??? Srrange!
> 
> 
> > On 13/01/2010, at 5:40 AM, Adam Frey wrote:
> > 
> >> I don't care if the bbc approves of my images or
> not. I care if my / clients/ approve of the images I shoot,
> since they write my  paycheck, not the bbc...
> > 
> > The Australian equivalent of the BBC (albeit much
> smaller) is the ABC. They broadcast their HDTV at 720p, but
> most of the local doco content  is still mastered as
> standard definition then upconverted for  broadcast.
> They're currently evaluating a doco I shot/posted which
> was  shot on a combination of Sony EX-1, HVX200 and
> some B roll with the  5DmkII. It's delivered in PAL
> standard definition and at that  resolution the images
> from the 5DmkII look great. If I'd had the  budget I
> would have shot the bulk of it on an HPX3700 varicam or a
> Red  One, but the B roll I chose to shoot on the 5D
> would still have been  shot that way due to it's
> convenience. Sure the 5D might not hold it's  own on a
> large plasma against other formats, but it's still
> pretty  useful.
> > 
> > I'm still waiting for either the Scarlet S35 or FF
> when they finally  get here.
> > 
> > In terms of budgets I agree with you Steven that it's
> worrying when you're getting squeezed to the point that you
> can't make a decent  profit to invest in the next lot
> of gear. Also once clients get used  to paying less for
> a certain standard of work it's very hard to return  to
> your old rates.
> > 
> > I took a few risks last year when the work for many
> was non-existent which has paid off in a big way this year.
> Just had the green light on  a multi-million dollar
> feature length doco project for cinema that  will
> hopefully be shot on a Red Epic in 7 countries :D
> > 
> > Cheers
> > 
> > Mike
> > 
> > 
> > Your donations will keep Konvas.org running:
> > http://konvas.org/how-to/help-konvas.org-donate.html
> > _______________________________________________
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> > http://konvas.org - All about Konvas, Kinor and other
> Russian Cinema Cameras
> > 
> > Visit the discussion archives:
> > http://konvas.org/list-archives.html
> > 
> > Join the Konvas Discussion List:
> > http://konvas.org/mailman/listinfo/cinema_konvas.org
> > 
> > Please be kind when replying and crop the replied
> message!!! 
> 
> 
> Your donations will keep Konvas.org running:
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> _______________________________________________
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> http://konvas.org - All about Konvas, Kinor and other
> Russian Cinema Cameras
> 
> Visit the discussion archives:
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> 
> Join the Konvas Discussion List:
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> 
> Please be kind when replying and crop the replied
> message!!!
>